Valkyrie

This Movie Made Me: Sufficiently Anxious

As the age-old saying goes: actions speak louder than words. That is particularly the case with Valkryie, Bryan Singer’s new thriller depicting the true story of a failed assassination attempt on Adolf Hitler. Perhaps it’s all for the best, since the actors spew out a hodgepodge of accents that hinder the film. And despite genuine thrills, a stiff Tom Cruise performance makes Valkyrie just another run-of-the-mill thriller.

Colonel Claus von Stauffenberg (Cruise) is stationed in Africa during the latter years of WWII. After an attack leaves him wounded and blind in one eye, von Stauffenberg returns to Germany. His animosity towards Hitler lands him in a group of high-ranking officials plotting to overthrow Hitler and start a new government. Von Stauffenberg presents Operation Valkyrie, meant to be used in case of a SS revolt, as the perfect means to assassinate Hitler and end his reign of terror.

Singer’s talent for making unbearably tense sequences is on full display here. Even though the ultimate end of the plot is obvious, the assassination attempt is an expertly crafted nail biter. Intricately detailed and as drawn out as possible, it is impossible not to be spellbound by the time von Stauffenberg has Hitler in his sights. This is filmmaking much more focused than his work in the X-Men series and in Superman Returns.

If only the rest of the film kept up with him. Cruise seems to be unable to emote properly with only one eye. Having the only American accent doesn’t help either. There are accents abound in Valkyrie – mostly British, and most of the actual German accents are reserved for the bad guys. While it may have saved Cruise the embarrassment of ridiculous accents, the eclectic mix takes away more from the film than it adds to it. It is a particular travesty that Carice van Houten (mesmerizing in Paul Verhoeven’s Black Book) has only a few precious minutes of screen time. As von Stauffenberg’s wife, her character seems almost an afterthought as written. But van Houten speaks volumes without saying a word. And in the end, it’s her we remember.

Valkyrie is a solid thriller – an accomplishment enough, given how obvious its ending will be. The detail constructed in the suspenseful sequences is top-notch and not to be missed. Whether or not it returns Tom Cruise to box office glory remains to be seen. But if Valkyrie does, it will be because of film power – not star power.

The Day the Earth Stood Still

This Movie Made Me: Bored

Keanu Reeves is learning. Not learning how to act, but learning how to use his lack of expressions effectively. His latest inexpressive character is Klaatu, the foreboding alien at the center of The Day the Earth Stood Still. This effects-laden remake is about as exciting as listening to Reeves reading a senate environmental bill.

A mysterious space object lands in Central Park. (Because anybody who’s anybody attacks New York first). But instead of an asteroid, scientists find a large glowing orb. Two beings emerge from it: a surprisingly retro robot/alien hybrid named Gort and an alien life form quickly reborn as Keanu Reeves. When the alien’s intentions become clear, the government tries to strengthen its hold on him and he takes off with a sympathetic scientist (Jennifer Connelly) and her son (Jaden Smith).

Sounds exciting, right? Not really. Aside from a few scenes that can best be described as “creepy,” the film is all talk. The scientists wonder what the alien could want, a government bigwig (in this case, Kathy Bates) feeling threatened, the alien escapes and then… they talk some more! It’s not that the film suffers from too much set-up and too little pay-off. The talking just moves around in circle and, despite all the talk of impending doom, no one ever actually seems worried. And when the apocalypse finally arrives, it can best be described as mind-numbing. Never before has the destruction of mankind been so boring.

And it’s not as if the film suffers from a lack of ambience. Director Scott Derrickson (The Exorcism of Emily Rose) fills the film with appropriately eerie scenes of misty forests and sparse landscapes, all of which tie into the film’s unabashed green sensibilities. If only the script gave the filmmakers some thrills to work with. Reeves’ lack of versatility actually serves him well – let’s face it, no one seems more natural at being flat than him. Connelly, Jon Hamm and Kyle Chandler provide sufficient support, even if they all looks the same. It’s almost as if mankind already suffered an alien attack that obliterated everyone with brightly-colored hair.

Whether or not The Day the Earth Stood Still warranted a remake is beside the point. When the results are this mediocre, there’s no point in arguing for or against. It shows that the director can make pretty pictures, but not much else. And it shows that Keanu Reeves can convincingly play an unemotional alien. But we already knew that.